

All Topics > Photoshop > Topics > Layers Palette
Figure 1. Photoshop Layers Palette
What is a layer? It is a concept used to organize and display your
image and adjustments. The most fundamental layers are those that contain
either pixels or an adjustment that alters the appearance of pixels.
Layers are arranged vertically in an area of Photoshop called the Layers palette
(all of Figure 1). When you look at your image in the Photoshop document
window, you are looking at it through the layers in the Layers palette. As
Photoshop processes the layers in the Layers palette, it begins with the
bottommost layer and works its way upwards. This means the bottommost
layer is altered by the layer above it. And the resulting image is further
altered by the next layer up, and so forth. Therefore, the order in which
layers appear is as important as the layers themselves.
There are seven basic kinds of layers: Image, Adjustment, Fill, Type, Shape,
Sets (called Groups since CS2) and Effects. In digital photography, the
ones you will use the most are Image, Adjustment, Sets/Groups and possibly
Effects.
Click on the button to float Figure 1 in your browser window as you scroll down
to read the tables below. When finished, click the Close button on the
floating image.
Table 1. Types of Layers
| Layers Palette | A | The Layers palette is the working platform of your image. It is where all layers are arranged and stored. |
| Background Layer |
B | The Background layer is the Photoshop default image layer. It is
always a locked layer. To unlock it, double click the layer, type a new
name and click OK. This also converts it into a normal image layer. In a RGB, CMYK or Grayscale image, the Background layer cannot have transparent pixels. The Background layer has to be converted to a normal layer to have transparent pixels. |
| Image Layer | C | Image layers are pixel containing layers. These are the layers that contain your image pixels. The Background layer is an image layer. |
| Active Layer | D | The active layer is the layer that is highlighted. Whatever actions you perform will be applied to the active layer. A layer does not have to be visible to be active. Since CS2, multiple layers can be active at a time. However, there are restrictions as to what actions can be performed when multiple layers are active. |
| Adjustment Layer | E | Adjustment layers are pixel altering layers. Adjustment
layers apply an effect to the pixel containing layers beneath them.
Adjustment layers only affect the layers beneath them, not above them. There are many types of adjustment layers. The adjustment layers commonly used in digital photography are listed on the Photoshop Topics page. If you turn off the visibility of all layers except the adjustment layers, you will see nothing but a transparent document. This is because adjustment layers do not contain image pixels. |
| Layer Sets/Groups | F | Layer sets/groups are a great way of grouping and organizing
layers. Think of a layer set/group as a folder where other layers are
stored. Layer sets is the pre-CS2 term. Adobe changed the term to
layer groups in CS2. You can make certain changes to all the layers in a layer set/group by clicking on the layer set/group row and then applying the change; such as using the Move tool A layer set/group can have a layer mask. The mask is applied to all layers in the layer set/group. By clicking the triangle to the left of the layer set/group folder icon, you expand You can have layer sets/groups within layer sets/groups. |
| Effects | G | Effects are special effects that are applied to the contents of the
layer they are linked to. An example of an effect is drop shadow. You
can have more than one effect applied to a single layer. The effects
linked to a layer become part of the layer's style. To delete layer effects, either right click the layer and select Clear Layer Style, or drag the effect (not the layer) to the delete layer icon |
| Type Layer | H | A Type layer is a layer that contains text. |
| Shape Layer | I | Shape layers contain shapes and lines. Technically, a Shape layer
is a Solid Color Fill layer with a vector mask. It is the vector mask
applied to the color fill that causes the shape and/or line to be
displayed in the document window. Shape layers are not used often in
digital photography. By selecting the arrowhead option on the Custom Shape tool |
| Fill Layer | J | Fill layers are another type of pixel containing layer.
There are three types of Fill layers:
|
Table 2. Layer Options and Icons
| Layer Name |
All layers must have a name. Double clicking a layer's name will allow you to rename it. Double clicking the default Background layer's name will allow you to rename the layer and unlock it. |
| Thumbnail | Almost all the layers in Figure 1 have thumbnail images. On pixel containing layers, the thumbnail is a miniature preview of the pixels in the layer. For layer masks, the thumbnail is a miniature grayscale image of the mask. On adjustment layers, the thumbnail is a miniature graph of the type of adjustment, as seen in layers E in Figure 1. If the image is wider than it is higher, the adjustment layer thumbnails will be the generic adjustment layer icon You can change the size of the thumbnail, or turn them off completely, by selecting Palette Options from the Layers palette's flyout menu |
| Layer Effects | The Border layer in Figure 1 has layer effects (see G). A layer's style is composed of all its individual effects, and its Blending Mode A layer's style can be saved as a custom style that can be used on other layers. To save a layer's style, double click any of the layer's effects. You should get the Layer Style dialog box. Click the New Style button. Name the style and click OK. To recall the style, activate a layer and click the Add a layer style icon To convert effects into layers, select the layer containing the layer effect(s) and click Layer > Layer Style > Create Layer. The effects will become image layers. |
| Layer Mask | Curves layer E in Figure 1 has a layer mask. The mask for Shape
layer I is actually a vector mask. Masks are used to control which pixels in a layer are visible/affected and which are not. We paint in the layer mask with black, white or gray paint to control which areas of the image are affected. Black will block the area of the layer from being visible/affected. White allows the area to be fully visible/affected. Shades of gray temper the affect. Light gray will allow more of the effect to be applied. Whereas dark gray will allow less. You can load a layer mask into the Photoshop document window by Alt - clicking (Option - clicking) the layer mask. You can delete or temporarily disable a layer mask by right clicking the layer mask thumbnail and then selecting the desired option. Below is how a disabled layer mask would be represented in the Layers palette. |
| Vector Mask | Shape layer I in Figure 1 has a vector mask. Layer masks are created using the painting tools. Vector masks are created using the paths tools The image below shows a layer with both a layer mask and a vector mask. Note the vertical bar to the left of the vector mask link. This is how you can quickly identify a vector mask. |
| Blending mode |
Blending mode determines how an image layer is affected by painting or
adjustments.![]() |
| Opacity | Opacity determines how opaque or transparent a layer is. 100%
opacity is a fully opaque layer. 0% opacity is the same as turning a
layer's visibility off. Opacity affects both a layer's pixels and its
effects.
![]() |
| Fill | Whereas opacity affects a layer's pixels and effects, Fill only
affects a layer's pixels. As an example, create a new Photoshop
document, fill the layer with black paint and add a stroke (Layer >
Layer Style > Stroke). Be sure the position of the stroke is Inside and
be sure the color of the stroke is something besides black. Leave
opacity on the Layer Style dialog box to 100%. Close the Layer Style
dialog box. Now lower the opacity on the Layers palette. You will see
that not only will the black pixels become more transparent, but so will
the stroke. Now set layer opacity back to 100% and lower the Fill
value. You should see the black become transparent but there will be no
change to the stroke.![]() |
| Locking | Locking allows a layer's contents to be fully or partially
protected. To lock a layer, make the layer active and click on one of
the locking options.![]() Lock Transparent pixels Lock Position Lock All When a layer is locked, a lock icon will appear to the right of the layer name. If a layer is partially locked, a light gray lock icon To unlock a layer, other than the Background layer, click on the layer to activate it, then click the corresponding lock icon to unlock it. To unlock the Background layer, double click the layer, type a new name and click OK. This will convert it into a normal image layer. |
| Visibility Column | The layer visibility option is the first column in the Layers palette. |
| Visibility | The eye icon
Layers that are not visible are called hidden and will not have the eye icon. It is valid for the active layer not to be visible. To make a layer visible, click in this area until the eye icon is displayed. To hide a layer, click the layer's eye icon. Alt - clicking (Option - clicking) an eye icon on a layer will turn off visibility of all layers except the one you clicked. Alt - clicking (Option - clicking) again will restore visibility to its original state. |
| Paint/Link Column | The second column in the Layers palette is the paint/link column.
This column was removed in CS2. It has been replaced by the link icon
on the Layers palette options bar. This column is blank except for the active layer and any layer linked to the active layer. When a layer is active you will either see the paint brush icon If a layer is linked to the active layer, the link icon |
| Layer linking in pre-CS2 | You can lock the position of one layer to another by linking them.
To link two (or more) layers, make one of the layers active and then
click in the paint/link column for the other layers. This will cause
the link icon
|
| Layer linking since CS2 | You can lock the position of one layer to another by linking them.
To link two (or more) layers, use Shift-click to select contiguous
layers or Ctrl-click (Command-click) to select multiple layers
individually. Once the layers to be linked are selected, click the link
icon
The link ties the position of all linked layers together. Therefore, if the move tool |
| Mask link |
Layer and vector masks are automatically linked to their image. If
desired, you can unlink them by clicking the link icon
When a layer and its mask are unlinked, you can move either the contents of the layer or the mask independent of the other. |
| Clipping Mask |
Adjustment layers affect all the layers beneath them. However, by using
a clipping mask, you can make the adjustment layer affect just certain
layers beneath them. To create a clipping mask, hold down the Alt (Option) key and click on the border between two layers when you see the clipping mask icon To undo a clipping mask, hold down the Alt (Option) key and click on the border between the two layers when you see the remove clipping mask icon |
| Paint on layer | When painting, you paint in either a layer's image or its mask. To
paint in a layer's image, click the layer's image thumbnail. A double
border will be displayed on the thumbnail and in pre-CS2 versions of
Photoshop, a paint brush icon |
| Paint on layer mask |
To paint in a layer's mask, click the layer's mask thumbnail. A double
border will be displayed on the thumbnail and in pre-CS2 versions of
Photoshop, a layer mask icon
|
The Photoshop Layers palette options are the icons at the very bottom
of the Layers palette. The palette options for Photoshop CS and earlier
versions looks like the following:
.
Since Photoshop CS2, it looks like this:
.
Each option is described in Table 3.
Table 3. Layer Palette Options
| Link Layers |
|
Link Layers. This feature is only available in Photoshop CS2 and later versions. After selecting multiple layers in the Layers palette, clicking this icon will link them. Linked layers will have the link icon to the right of the layer's name. Versions prior to CS2 use the Paint/Link column described above. |
| Add Layer Style |
|
Add Layer Style. Allows you to create one or more layer effects on
the active layer. Locked layers and layer sets/groups cannot have effects. |
| Add Layer Mask or Vector Mask |
|
Add Layer Mask or Vector Mask. Creates a layer mask on the active
layer. If a layer mask already exists on the active layer, a vector
mask will be created. If a selection is not active when this icon is clicked, the layer mask will be filled with solid white paint. White reveals all. If the icon is clicked using Alt - click, the layer mask will be filled with solid black paint. Black hides, or masks, all. If a selection is active when the layer mask is created, the selection will be used to create the mask. The part of the image that is selected will be revealed by the mask and the part of the image that is not selected will be hidden by the mask. In the mask, the selected area will be white and the non selected area will be black. |
| Create Layer Set/Group |
|
Create Layer Set/Group. Since CS2, this feature is called Groups.
In versions prior to CS2, this feature is called Sets. Clicking this
icon will create a layer set/group above the active layer. The active
layer will not become part of the layer set/group. If you drag an
existing layer to this icon, Photoshop will create a new layer set/group
and place the dragged layer into the set/group. In CS2, you can select multiple layers and drag them to the Layer Group icon and all of the selected layers will be moved into the new group. Also in CS2, you can use Layer > Group Layers/Ungroup Layers to group selected layers or to move all layers out of a group. |
| Create New Fill or Adjustment Layer |
|
Create New Fill or Adjustment Layer. Allows you to create a fill or adjustment layer above the active layer. If the active layer is a layer set/group, the fill or adjustment layer will be created within the layer set/group. |
| Create New Layer |
|
Create New Layer. Clicking this icon will create a layer above the
active layer. If the active layer is a layer set/group, the new layer
is created within the layer set/group. Dragging an existing layer, layer set or adjustment layer to this icon will duplicate that layer. |
| Delete Layer |
|
Delete Layer. To delete a layer, either make the layer active and click the delete layer icon, or drag the layer to the delete layer icon. To delete a layer effect, drag the effect, not the layer, to the delete layer icon. |
To select a single layer, click the layer in the Layers palette. Or,
use the Move tool as described below.
Since Photoshop CS2, more than one layer can be selected at a time. To select multiple layers, use either Shift-click or Ctrl-click (Command-click). Shift-click allows the selecting of contiguous layers. Ctrl-click (Command-click) allows the selection of non-contiguous layers. To select all layers, click Select > All Layers. To select layers of the same type, click Select > Select Similar Layers. Selecting similar layers does not distinguish between specific layer types. It selects, as the name applies, similar types. For example, if a Curves adjustment layer is selected, the Select Similar Layers command will select all adjustment layers, not just other Curves adjustment layers.
You can use the Move tool to select pixel containing layers. This
feature can be useful if you are not sure which layer contains the pixels you
are interested in. If you are sure, it is easier to click the layer in the
Layer's palette. If you are not sure, the steps below can help you find
the elusive layer. There are a number of caveats to keep in mind. If
the layer is not visible, you will not be able to select it using this method.
If there is an adjustment layer with a layer mask, clicking the pixels affected
by the adjustment layer will cause the adjustment layer to be selected, not the
pixel containing layer.
To avoid having to change your selected tool to the Move tool, hold down the
Ctrl (Command) key and right click the pixels you know are in the layer you wish
to select. A list of all layers containing pixels in this area will be
displayed. You can then select the desired layer.
Ctrl - clicking (Command - clicking) the layer thumbnail will create a
selection around the layer's content in the document window.
To display the transformation grid around the contents of a layer, make the
layer active and then press Ctrl + T (Command + T). The transformation
grid allows you to resize, scale, rotate, etc. the layer's pixels.
Ctrl - clicking (Command - clicking) a layer mask thumbnail or vector mask
thumbnail will create a selection around the mask's content in the document
window.
The easiest way to activate the layer you want is to click on the layer in the
Layers palette. You can also use Alt + [ to cycle downward through all the
visible layers, except for effect layers. And use Alt + ] to cycle upward
through all visible layers, except for effect layers.
To move a layer to another position in the Layers palette, click the layer's
name and drag it to the desired position.
To move a layer into a layer set/group, click and drag the layer to the layer
set/group folder icon
.
When the icon changes to an open folder
,
release the mouse button. (Since CS2, the folder icon no longer changes to
an open folder.) If you have two layer sets/groups next to each other and
you are having difficulty moving a layer to between the two layer
sets/groups because the layer keeps being moved into one of the layer
sets/groups, close both layer sets/groups and then move the layer.
To copy a layer from one Photoshop document to another, tile the two documents
so both are visible within Photoshop. Make the source document the active
document. Make the source layer the active layer. Shift click and
drag the layer from the Layers palette to the target document window. If
after the copy, the layer is not in the desired position in the target
document’s Layers palette, reposition the layer by clicking and dragging the
layer to the desired location.
Combining layers allows the contents of two or more layers to be combined
into a single layer. You can combine both image layers and adjustment
layers. There are two ways to combine layers: merge and stamp.
Merging layers physically combines all source layers into the target layer.
The source layers are then deleted. Stamp layers copies the contents of
all source layers into the target layer. Stamping does not delete the
source layers. When merging or stamping, the target layer will become an
image layer.
In merging and stamping layers, the target layer can also be a source layer.
Merge layers allows us to reduce the size of our files. However, it
should be done with care because once a file is saved and closed, merging cannot
be undone. Generally, layers in the master image file are seldom merged.
When the master file is duplicated to make a print file, then layers are usually
merged.
The merge layer commands are described below. They are located under Layer
on the Photoshop menu. However, not all of the commands will be visible at
the same time. Which options are available depends on the layers in the
Layers palette. When merging layers, the resulting layer is an image
layer.
| Merge Layers | Combines two or more selected layers that are visible. Since this
feature requires multiple layers to be selected, this choice first
became available with CS2. |
| Merge Visible | Combines all visible layers. The resulting layer is the one that
was active at the time of the merge. |
| Merge Linked | Combines all layers linked to the active layer, to the active
layer. This option is available only in pre-CS2 versions. To replicate
it in CS2, select Layer > Select Linked Layers and then select Layer >
Merge Layers. |
| Merge Down | Combines the active layer with the layer immediately beneath it.
Both layers have to be visible and only two layers are combined,
regardless of how many other layers are visible. |
| Merge Layer Set/Merge Group | Combines all the layers in a layer set/group. The layer set/group
has to be the active layer. |
| Merge Clipping Mask | Combines all the layers in a clipped group into a single layer. The
bottom layer the other layers are clipped to has to be the active layer. |
| Flatten Image | Combines all visible layers and deletes all hidden layers. The resulting layer is a locked Background layer. Any transparent pixels are converted to white since the Background layer cannot have transparent pixels. |
Stamp layers is similar to merge layers in that two or more layers are
combined into a single layer. However, when stamping layers, the combined
contents are placed into the target layer and the source layer(s) remains
unchanged.
| Stamp down | Stamps two layers. The source and target layers must be next to
each other with the source layer on top of the target layer. To stamp
down, make the source layer the active layer. Then press Ctrl + Alt + E
(Command + Option + E). The contents of the source layer will be
stamped to the target layer. |
| Stamp Linked (pre-CS2) | Stamps linked layers. To stamp linked layers, make one of the
linked layers the active layer. This will become the target layer.
Then press Ctrl + Alt + E (Command + Option + E). |
| Stamp Multiple Layers (since CS2) | Select all the source layers by Ctrl-clicking (Command-clicking)
each one and then press Ctrl + Alt + E (Command + Option + E). A new
layer will be created and this new layer will contain the combined
content of all selected layers. |
| Stamp Visible | Stamps visible layers. To stamp all visible layers into a new layer, turn off the visibility of all layers you do not want stamped. Make the top most visible layer the active layer. Press Shift + Ctrl + N (Shift + Command + N) to create a new layer. Press Shift + Ctrl + Alt + E (Shift + Command + Option + E) to combine the visible layers into the new layer. |
Tip
Ever created an adjustment or fill layer, apply a
complicated mask to it and then wanted to change what type of layer it is?
I have. Many a time I have created a Levels adjustment layer, applied
a mask, and then decided to change it to a Curves adjustment layer.
Changing an adjustment layer's type is easy. Simply use the
Layer > Change Layer Content option on the main menu. It will not
convert your Levels changes to Curves changes, but it will change it from a
Levels adjustment layer to a Curves adjustment layer while keeping the layer
mask.
The following are mouse and keyboard shortcuts that will help you move about
the document window as you work with your image.
Table 4A. Windows Keyboard Shortcuts
| Pre-CS2 | CS2 | |
| Pan left/right | Ctrl + wheel | Ctrl + Alt +wheel |
| Pan up/down | Wheel | Alt + wheel |
| Zoom in/out | Alt + wheel. Will not resize the window. | Wheel |
| Zoom in | Ctrl + + (Control plus the + key). Will resize the window as you zoom. | same |
| Zoom out | Ctrl + - (Control plus the - key). Will resize the window as you zoom. | same |
| Zoom in | Ctrl + Alt + + (Control plus Alt plus the + key). Will not resize the window. | same |
| Zoom out | Ctrl + Alt + - (Control plus Alt plus the - key). Will not resize the window. | same |
Table 4B. Mac OS Keyboard Shortcuts
| Pre-CS2 | CS2 | |
| Pan left/right | Command + wheel | Command + Option + wheel |
| Pan up/down | Shift + wheel | Option + wheel |
| Zoom in/out | Option + wheel. Will not resize the window. | Wheel |
| Zoom in | Command + + (Command plus the + key). Will resize the window as you zoom. | same |
| Zoom out | Command + - (Command plus the - key). Will resize the window as you zoom. | same |
| Zoom in | Command + Option + + (Command plus Option plus the + key). Will not resize the window. | same |
| Zoom out | Command + Option + - (Command plus Option plus the - key). Will not resize the window. | same |
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